指導老師：張庭嘉
Advisor: Ting-jia Zhang
成員：陳禾興、林寬毓、陳希曼、王宥升、莊千熙、邱于芸、姚宏
Members: He-hsing Chen, Kuan-yu Lin, Hsi-man Chen, Yu-sheng Wang, Chien-hsi Chuang, Yu-yun Chiu, Hong Yao
攝影：游婕
Photography: Josy Yu
現成物的啟蒙
The enlightenment of ready-made objects
現成物來自生活中的各個層面，舉凡書籍、杯盤、碗筷、電話…等經由量產所製成的工業化生活用品。由杜象帶領的當代藝術浪潮，更將現成物背後的意涵，轉化至創作內容之中，工藝與觀念藝術的界線，因為現成物創作浪潮的介入，逐漸模糊。建築物—作為一大型訂製品，它大多時間承載著工業化的現成物，這些物件服務著使用者的每日生活。這次，現成物除了作為大型容器內的物品以外，更是要以之作為構造發想的素材，融入地景，成為構築本身。作為對建築介面的可能性提問，學生也需要製作一比一的現成物雕塑作品，反思「空間」超脫於標準材料以外的真正本質。學生於完成後於台灣台南市的河樂廣場舉辦展覽，波光粼粼、光線反射在眾人的作品上，學生利用我當年於公共藝術案剩餘的沖孔角鋼作為展架，展現現成物的多元可能性，在烈焰般的酷夏。
Ready-made objects come from various aspects of life, including books, cups, plates, utensils, telephones, and other industrially manufactured daily items. Led by Duchamp, the contemporary art movement has transformed the meaning behind ready-made objects and incorporated it into artistic creations, blurring the boundaries between craftsmanship and conceptual art. As a large-scale customized product, architecture often incorporates industrially produced ready-made objects that serve users in their daily lives. This time, ready-made objects not only serve as items within large containers but also become materials for structural inspiration, integrating into the landscape and becoming part of the construction itself. As a questioning of the possibilities of architectural interfaces, students are required to create full-scale sculptures of ready-made objects, reflecting on the true essence of "space" beyond conventional materials. After completion, the students hold an exhibition in He-Le Plaza in Tainan City, Taiwan, where shimmering waves and reflections of light dance upon their works. The students utilize slotted angle steel from my previous public art project as display racks, showcasing the diverse possibilities of ready-made objects in the scorching heat of summer.
Advisor: Ting-jia Zhang
成員：陳禾興、林寬毓、陳希曼、王宥升、莊千熙、邱于芸、姚宏
Members: He-hsing Chen, Kuan-yu Lin, Hsi-man Chen, Yu-sheng Wang, Chien-hsi Chuang, Yu-yun Chiu, Hong Yao
攝影：游婕
Photography: Josy Yu
現成物的啟蒙
The enlightenment of ready-made objects
現成物來自生活中的各個層面，舉凡書籍、杯盤、碗筷、電話…等經由量產所製成的工業化生活用品。由杜象帶領的當代藝術浪潮，更將現成物背後的意涵，轉化至創作內容之中，工藝與觀念藝術的界線，因為現成物創作浪潮的介入，逐漸模糊。建築物—作為一大型訂製品，它大多時間承載著工業化的現成物，這些物件服務著使用者的每日生活。這次，現成物除了作為大型容器內的物品以外，更是要以之作為構造發想的素材，融入地景，成為構築本身。作為對建築介面的可能性提問，學生也需要製作一比一的現成物雕塑作品，反思「空間」超脫於標準材料以外的真正本質。學生於完成後於台灣台南市的河樂廣場舉辦展覽，波光粼粼、光線反射在眾人的作品上，學生利用我當年於公共藝術案剩餘的沖孔角鋼作為展架，展現現成物的多元可能性，在烈焰般的酷夏。
Ready-made objects come from various aspects of life, including books, cups, plates, utensils, telephones, and other industrially manufactured daily items. Led by Duchamp, the contemporary art movement has transformed the meaning behind ready-made objects and incorporated it into artistic creations, blurring the boundaries between craftsmanship and conceptual art. As a large-scale customized product, architecture often incorporates industrially produced ready-made objects that serve users in their daily lives. This time, ready-made objects not only serve as items within large containers but also become materials for structural inspiration, integrating into the landscape and becoming part of the construction itself. As a questioning of the possibilities of architectural interfaces, students are required to create full-scale sculptures of ready-made objects, reflecting on the true essence of "space" beyond conventional materials. After completion, the students hold an exhibition in He-Le Plaza in Tainan City, Taiwan, where shimmering waves and reflections of light dance upon their works. The students utilize slotted angle steel from my previous public art project as display racks, showcasing the diverse possibilities of ready-made objects in the scorching heat of summer.